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CU Boulder sociologist Laura Patterson makes screenwriting debut with short horror film “Silent Generation”

Laura Patterson of the �Թ��� of Colorado Boulder Department of Sociology does a lot in her field, teaching courses in research methods and environmental sociology. She also teaches about the sociology of horror in courses such as Gender, Race, and Chainsaws and co-hosts the podcast “Collective Nightmares,” which examines the sociological implications of horror films.

Now she’s added screenwriter to her resume. After years of development, writing and filming, Patterson recently completed an eight-festival circuit, including the Denver Film Festival in late 2025, showing her new film,

Laura Patterson, a CU Boulder assistant teaching professor of sociology, screened her short horror film "Silent Generation" at the recent Denver Film Festival.

“I think one of the things that horror can do well is make us look at the stuff that we don’t want to look at,” says Patterson.

“Silent Generation” is an eight-minute horror film that explores the dark side of aging and isolation. It follows an octogenarian as he goes about his day alone at home, watching TV and doing the laundry—a perfectly mundane task that turns bloody. And the inspiration for the film’s gruesome moment is rooted in a true story.

“It happened to my grandma, but she wasn’t living alone. My grandpa was there and my grandma was downstairs doing laundry,” Patterson recalls. “She calls to my grandpa and says, ‘Eddie, bring down the scissors.’ And so he brought the scissors down and she had got her hand stuck in the wringer washing machine, and it tore the top of her finger off. And she wanted him to just cut it off—which he wasn’t going to do. He took her to the emergency room, and they fixed things.”

But this incident got Patterson thinking about what would have happened if nobody else had been there. Thus, the idea for “Silent Generation” took hold.

“It stood out to me as a really important moment in life. The time when you notice that the people who were your caregivers now need care.And just the thin thread connecting older people to the rest of society, and how needed that connection is, because when that gets cut off there’s real danger just in the house where people are living,” says Patterson. “And you realize things that used to be normal become a threat.”

The idea stayed with Patterson for years, but she struggled to piece together how to make it into a movie.

“Since it is so short, writing the screenplay was not a big undertaking, because I kind of had the vision. But then to actually figure out how to make it, I just tried to take off like one piece at a time.”

One of the most difficult parts of creating the film, Patterson says, was actually finding the machine that would be centered in the climactic scene. The search took over a year. She eventually found the dated appliance in the 1,500-washing-machine collection of retired CSU professor, Lee Maxwell, who had curated the warehouse full of machines to represent the story of women’s liberation.

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Laura Patterson's eight-minute horror film "Silent Generation" explores the dark side of aging and isolation.

Sitting with discomfort

To produce the film, Patterson connected with director Francisco Solorzano, producer Kenny Shults and cinematographer Kesten Migdal.

“They knew how to take this idea and put it onscreen. And they were amazing.Frank knew how to shoot the things and what sort of emotional tone I wanted. They knew how to actually evoke it on screen,” says Patterson. “Frank was really able to bring out the loneliness of the whole script. He was great at thinking about the timing and the way it was shot. Just to let you as an audience member really sit in that was very much something that I think he pulled out or leaned into very well.”

When it came to casting, Patterson turned to Leo Smith, the father of her podcast co-host, who readily agreed to be the film’s sole actor. Smith was making his film debut at 90 years old.

“He’d never acted before in a film, but he was excited about doing this project and kind of commenting on mortality. And this was just his house, and his laundry. We brought in the ringer washing machine, but otherwise, he just did what he does.”

Patterson sees her film as making an important comment on the peril that comes in the solitary life of a stoic generation.

“I wanted to make a film that would have a positive social impact,” she says. “The line on the poster for the film says, ‘When was the last time you called?’ I’ve gotten a lot of feedback from audiences. First you see people cringing when they’re watching the film. And then it’s kind of nice, because it seems to be accomplishing what we wanted it to accomplish. Afterward, they’re like, ‘I need to call my, you know,’ fill in the blank.

“We can all think of people—especially of that generation—that that sort of resonates with,” Patterson adds. “So, there's been a lot of audience discussion around that, and around this sort of generational divide between then and now.”

Patterson aimed to make audiences sit with the discomfort.

“It's like, no, this isn’t pleasant,” says Patterson. “But it’s even worse if you don’t look, because then this person’s sitting alone having to navigate this.”

As for whether she has another film in the works, Patterson says she’s unsure.

“I think the pieces came together so well for this to happen. And I had wanted to do it for so long, in part to inform the other things I do. I think it makes sense to have some idea what it’s like to be on the other side of the camera and just understand what that process feels like. I have a lot of film students who come into my class. Now I can have a little bit of a connection point with them, having gone through this experience.”

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