MasanoYamashita

  • Associate Professor
  • FRENCH
Address

HUMN 329

Office Hours

Spring 2025
Monday 10:30 am - 12:00 pm & by appointment

Biography

BA., Kings College London

Ph.D., New York 勛圖厙

Masano Yamashita was born in Japan and educated in the United States, France, and England. Her research focuses on eighteenth-century French literature and social thought. Yamashitas first book,泭Jean-Jacques泭Rousseau face au public: probl癡mes didentit矇泭(Oxford 勛圖厙 Studies in the Enlightenment, 2017) studies the communicative, social and literary issues that accompany the development of early modern information societies. Yamashita interrogates the complexities of writing and performing philosophy in an emergent culture of public information and distracting noise.泭泭Her current book project investigates the relationship between chance, accidents and inequality in eighteenth-century France.

Other research projects have appeared in泭LEsprit Cr矇ateur,泭European Drama and Performance Studies,泭Forum for Modern Language Studies,泭Orbis litterarum, as well as in edited volumes bearing on themes such as play, theatricality, the body, and the interrelation between nature and culture.

She was a recipient of a Center for the Humanities and the Arts Faculty Fellowship in 2016 and was recently elected to the MLA French Eighteenth-Century Division Executive Committee (2018-2023). She currently serves as vice president of the Society of Eighteenth-Century French studies and is President of the Rousseau Association. She also works as a member of the editorial board of Oxford 勛圖厙 Studies in the Enlightenment and the advisory board of Eighteenth-Century Studies.

Masano enjoys teaching the French Revolution and human rights, French fashion and culture, the female泭Bildungsroman, as well as contemporary cinema and coming-of-age narratives.

Publications

Books:

Jean-Jacques Rousseau face au public: probl癡mes d'identit矇泭(Oxford 勛圖厙 Studies in the Enlightenment, 2017.

Frameworks of Time in Rousseau, eds. Jason Neidleman and Masano Yamashita, Routledge Studies in Cultural History,泭 2023.

Recent Articles and Book Chapters:

Playthings of Fortune: Lots and Inequality in labb矇 Pr矇vost,泭Modes of Play in Eighteenth-Century France, eds. Reginald McGinnis and Fay癟al Falaky, Bucknell 勛圖厙 Press, 2021,泭 p. 64-81.

Selfhood in the Early Finance Capitalism of泭Manon Lescaut,泭Forum for Modern Language Studies, vol. 56, issue 4, 2020, p. 468-480.

Destinys Child: Accidents and Repetition in泭La vie de Marianne,泭Orbis Litterarum, vol. 75, issue 3, June 2020, p. 103-113.

Julie, or the New Eloise, in泭The Cambridge Guide to the Eighteenth-Century Novel,泭1660-1820, ed. April London, Cambridge 勛圖厙 Press, in production

Laconism and the Literary Politics of the泭Social Contract,泭Silence, implicite et non-dit chez Rousseau/ Silence, the implicit and the unspoken in Rousseau,泭ed. Brigitte Weltman-Aron, Ourida Mostefai, Peter Westmoreland, Boston/Leiden: Brill, 2020.

Fate and Consolation in the Late Rousseau,泭Sens Public, September issue, 2019. accessible at泭

Rousseau and the mechanical life,泭Rousseau, between Nature and Culture: Philosophy, Literature and Politics,泭eds. Anne Deneys-Tunney and Yves Zarka. Boston, MA: De Gruyter, 2016, p. 67-81.

Poverty as Spectacle: Marivauxs Beggars and Chance in Enlightenment Paris,泭LEsprit Cr矇ateur, 55.3 (Fall 2015): p. 59-71.

Mute Performances: Silence and Deafness in Diderots Theater Criticism,泭European Drama and Performance Studies,泭n2, Paris, Classiques Garnier, 2014, p. 307-325.

Le philosophe et ses masques: statut du visible et mise en sc癡ne de la sinc矇rit矇 chez Rousseau,泭Rousseau et le spectacle, eds. Jacques Berchtold, Christophe Martin, Yannick S矇簿t矇. Paris: Armand Colin, 2014, p. 371-385.

Love as habituation in Rousseau,泭LEsprit Cr矇ateur, 52.4 (Winter 2012), p. 55-67.

The Revolutionary Return of the Orator: Public Space and the Spoken Word in the Work of Jean-Jacques Rousseau,泭Rousseau and Revolution,泭eds. Holger Ross Lauritsen and Mikkel Thorup. London and New York: Continuum Studies on Political Philosophy, now Bloomsbury Press, 2011, p. 161-174.泭

Blog: ,泭May 3, 2017