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The Sphinx Performance Academy has changed the lives of thousands of underrepresented young musicians, offering a curriculum that includes lessons, master classes, recitals, career enrichment sessions and mentorship.

Professor of Composition Jeffrey Nytch—who directs the College of Music’s Entrepreneurship Center for Music and who was recently awarded a MacDowell Fellowship—considers the application of entrepreneurial principles as essential to his creative practice.

In this edition of the Dean’s Downbeat, Dean John Davis offers reflections and a vision for the future as he shares highlights from our newly revamped annual digital magazine—Colorado Music. “...our mission matters more than ever. Because what we do as musicians requires not only skill, but humanity—that is, the simultaneous conveyance of emotion, connection and understanding. Colorado Music takes stock of how far we’ve come.”

In addition to Carl Orff’s “Carmina Burana” and our collaboration with El Sistema Colorado, the College of Music’s upcoming CU at Boettcher concert will feature the world premiere of composer Carter Pann’s new work: his five-movement, 17-minute Symphony No. 3–“On The Importance of Our Democracy.”

Erika Gossett will graduate next month with a BM in flute performance, as well as a BA in media studies, a minor in business and a Music Entrepreneurship Certificate, exemplifying the College of Music’s universal musician vision. Additionally, her climate change-focused venture, Piña Designs, is a finalist in the New Venture Challenge. Finals are April 12: Join us!

In a week-long residency coming up—including four free, public events—Canadian composer Alexina Louie will explore what it means to find your own voice and identity.

It was a busy fall for the American Music Research Center (AMRC)! One of the many efforts underway is the Soundscapes of the People project. Two CU Boulder PhD students—Lydia Wagenknecht and Ben Cefkin—

The work of Assistant Professor of Music Technology Grace Leslie—flutist, electronic musician and scientist—melds art, engineering and neuroscience to probe the millennia-spanning relationship between humans and a good tune ... and whether the right kind of music can help to heal the body and brain.

“Having a ‘home’ audience of loyal Takács fans is a huge honor … and makes the concert experience more than just about the music itself. It’s about the relationships formed through the shared love of music.”

“The way I see it, developing universal musicians who demonstrate diversity in all forms is both a mission and a process that directly supports and sustains democracy. Our diversity of experiences and abilities, perspectives and opinions, races and ethnicities, and genders and sexual identities enhances our conversation, ignites and expands our awareness, and makes us better when we come together.”